![]() ![]() I have had Windows machines which were not up to that and no amount of software juggling could force them to work. Editing sound (and video) is a special case where the computer has to do nothing wrong and do it continuously for hours. Most people plug all this stuff together and just start recording with no serious sound damage. For a mono recording (one blue wave) don’t go over about 20 seconds.ħ. To post to the forum, it’s is recommended you Export as WAV (Microsoft) 16-bit stand-alone sound file. It tells Audacity what to do with all that stuff in the _DATA folder which is where all the actual sound is. The AUP is an Audacity Project Manager text file. The Solo is natively mono and the 2i2 is natively stereo-two microphones. Their job is strictly to get the sound into the computer. You can’t “assign” channels or easily produce mixes and versions of the audio. The two popular Scarelett models are the 2i2 and the Solo. Which Scarlett? I don’t think there are any Scarlett mixers. I use Focusrite Scarlet for interface mixer Clickrepair virus drivers#Anytime the audio goes through the computer, you are at the mercy of the computer and whatever it and the operating system are doing (although ASIO drivers are supposed to help). The Focusrite website says “low latency” but it’s doesn’t say “zero latency”. IMO - The BEST solution to latency is to get an interface with zero-latency hardware monitoring (where the monitoring signal doesn’t go through the computer).Or, there is an FREE online book called Glitch Free about optimizing your computer for audio. (You’re not complaining about latency but multitasking, latency, buffers, computer speed, and glitches are all related). There is a FREE program called DPC Latency Checker that may help identify the problem. Your interface may have come with Ableton, and I believe Focusrite offers ASIO drivers. You might try recording software that supports ASIO drivers. ![]() With less data to deal with, you are less likely to get glitches (and these settings are still better than human hearing). If you are recording at a high sample rate, try 48kHz or 44.1kHz. The ONLY downside to a larger buffer is longer latency (delay) if you are monitoring yourself through headphones.* ![]() Try increasing the Buffer Length/Latency. ![]()
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